![]() ![]() (It also gave us a rare chance to see back-to-back presentations of 35mm and Blu-ray, as we got to see the main part of the ending twice. This print is, of course, the US version from Lionsgate, so it has the shorter ending, but since Marshall was there and there were a lot of folks who hadn't seen the film before (heathens!), the theater then showed the longer, UK ending of the film off a Blu-ray, allowing Marshall to talk about the history of the two endings after we saw both for ourselves. Marshall himself came to the screening for a Q&A with hosts Kumail Nanjiani and Wayne Federman (it was the fourth annual installment of the latter's comedian-driven festival Descent was, I believe, the only horror film in the lineup), and it was presented on a gorgeous 35mm print, possibly the same one I showed to about 25 people a few years back at the New Beverly (this was a sold out show, so I guess my error was not getting Neil Marshall. On Sunday, the Cinefamily here in LA had a screening of Neil Marshall's The Descent, which I've previously drooled over and don't need to do again. ![]()
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